Teaching Reading Room

Reading Room

Articles on Performance & Musicianship

Selected readings on the craft of jazz singing, the great songbook composers, and the traditions that shaped this music.

Musician, Singer, Artist, Storyteller — book cover

Book by Maye Cavallaro

Musician, Singer, Artist, Storyteller

A practical guide to the craft of jazz singing — from developing your personal style and working with a band, to preparing a song, building a repertoire, and stepping into the full identity of an artist.

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By Maye

Benchmarks for Performing

Live performance is how artists build community, generate buzz, and open doors. This guide covers what you're responsible for as a performer — promotion, programming, and personnel — and what it takes to put on an engaging, convincing, and memorable concert.

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Learning a Song Before Band Rehearsal

Jazz is spontaneous and interactive — which means showing up prepared. A step-by-step guide to learning a song thoroughly before rehearsal: lyric study, storytelling, subtext, phrasing, and making the song truly your own before the band is in the room.

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Promotional Materials

What you need to build a professional profile — photos, sound files, video clips, and bios. Guidance on presenting yourself in a way that reflects your artistic identity and gets you taken seriously in the business.

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Steps for Preparing Your Concert

Four essential steps — framing, scripting, staging, and performing. From shaping your artistic story and programming a set with intention, to directing the band in rehearsal and holding focus under pressure on the night.

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Articles by Others

Working with the Band

By bassist Dean Muench — practical guidance on bandleading and communicating musical directions clearly to instrumentalists.

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A Vocalist's Best Friend (or Foe)

A conversation between pianists and singers about the art of accompaniment — what great support sounds like, and what gets in the way.

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Barbara Cook's Emotional Singing Lesson

Broadway legend Barbara Cook on feeling, emotional truth, and the courage it takes to be fully present on stage.

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What's a Melody For?

Suzanne Vega in the New York Times — exploring how music affects listeners emotionally, and what the melody is actually doing underneath the words.

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The Voice of the Storyteller

New York Times on what it means to have a storyteller's voice — not just a pretty sound, but the ability to make a listener feel something true.

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Training Insights from Star Athletes

New York Times on how elite athletes practice — directly applicable to musicians. How you practice determines what you become.

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Dianne Reeves — Jazz in the NYT

Ben Ratliff's profile of Dianne Reeves — on how she accesses the spiritual essence of jazz and brings it into the room with her.

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How to Call Attention to Your Music

Derek Sivers — founder of CD Baby — on independent musician promotion, standing out, and getting your music heard without a label.

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The Great American Songbook

An overview of the canon — Tin Pan Alley, Broadway, and Hollywood as sources for the jazz vocal repertoire.

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The Art of the Jazz Standard

Ted Gioia on jazz standards — their origins, harmonic language, and why they remain the foundation of the jazz vocabulary.

Ted Gioia ↗

Affirmations for Singers

Positive affirmations for singers and songwriters — for the practice room, the green room, and the hard days when the voice feels far away.

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Media Room

Masterclass Video

Performances, masterclasses, and demonstrations selected for what they teach. Watch with intention — pause, rewind, and ask why it works.

Carmen McRae — In Concert

A masterclass in phrasing, timing, and lyric conviction. Watch for how she listens to the band and responds in real time.

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Shirley Horn — Live at Ronnie Scott's

Study the slowest phrasing in jazz. Horn's economy and silence are lessons in confidence — she never rushes. A model for ballad singing.

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Betty Carter — Live in Concert

The most fearless vocalist in jazz. Watch how she controls a room, bends tempo to her will, and turns any song into a dramatic confrontation.

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